Getting to the Pointe

A Midsummernight's Dream at the Madison Ballet was very good. Of course, it rather helped to already be quite familiar with the story. Watching the ballet was somewhat akin to watching a silent movie, but without the helpful title cards to explain the action. Everyone on stage did a valient job of getting the main plot points across, but Shakespeare without the words can be tricky. When Hippolyta and Theseus show up for the wedding, it is the first time we ever see them, and without knowing the play, I imagine it could lead one to ask, "Who are these people? Where did they come from?" (And why is everyone in the woods?)

Comprehension of the plot aside, the dancing was beautiful. The corps of tiny faerie children was sweet and non-annoying, since they were mostly compentent and not just adorable. The adult cast was also a treat to watch. The show, however, was stolen by Elizabeth Schweiger in the role of Puck. And rightly it should be since, hey, it's Puck! She made for an energetic and androgynous sprite, full of mischeif and fun. Granted, in Shakespeare's play Robin Goodfellow is rather a randy little imp, and far from androgynous. However, performing sans dialogue, I think that the slight, sleek physical appearance helped convey the...Puckishness of the character. Had a male been cast in the role, the larger, more muscular physique and the obvious "ballet bulge" would have had him too similar to Oberon, with little to distinguish the two faeries.

The matinee was full of children; many little girls dreaming of becoming ballerinas when they grow up. It also seemed very appropriate to see A Midsummer Night's Dream on the very first day of spring (Happy Vernal Equinox, everyone!).

On question, though. I know it was a matinee, and I know this is Madison, but don't people dress up for anything anymore?

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This page contains a single entry by Kayjayoh published on March 20, 2004 11:46 PM.

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